{"id":18,"date":"2023-09-05T20:18:32","date_gmt":"2023-09-05T20:18:32","guid":{"rendered":"https:\/\/adhc1.ua.edu\/notre_dame_in_color\/?page_id=18"},"modified":"2026-04-15T16:43:41","modified_gmt":"2026-04-15T16:43:41","slug":"team","status":"publish","type":"page","link":"https:\/\/adhc1.ua.edu\/notre_dame_in_color\/?page_id=18","title":{"rendered":"Team"},"content":{"rendered":"\t\t
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Jennifer M. Feltman (PI)<\/h2>\n\t\t\t\t\t\t\t
Associate Professor of Art History, The University of Alabama<\/div>\n\t\t\t\n\t\t\t\t\t\t\t
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Feltman is a specialist in French gothic sculpture with research interests in the design, construction, and preservation of fa\u00e7ade sculptures. She is co-director of the Limestone Sculpture Provenance Project, a member of the Chantier scientific de Notre-Dame, and the team of researchers studying the recently excavated fragments of the Notre-Dame choir screen. Her publications include the edited volume, The North Transept of Reims Cathedral: Design, Construction, and Visual Programs<\/i> (Routledge, 2017), The Long Lives of Medieval Art and Architecture<\/i> co-edited with Sarah Thompson (Routledge, 2019), and her forthcoming book, Moral Theology and the Cathedral: Sculptural Programs of the Last Judgment in France, c.1200-1240<\/i> (Brepols).<\/p>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Alexandre Tokovinine (co-PI)<\/h2>\n\t\t\t\t\t\t\t
Associate Professor of Anthropology, The University of Alabama<\/div>\n\t\t\t\n\t\t\t\t\t\t\t
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Tokovinine is an anthropological archaeologist with a specialty in Maya epigraphy and 3D scanning. His work addresses the transformations of the ancient complex societies in the context of the Maya civilization and the issue of the meanings of color on Maya monuments. He is co-author of Veiled Brightness: A History of Ancient Maya Color <\/i> (University of Texas Press, 2009). His other area of expertise is visual documentation of the finds in the field and of the museum collections. He relies on 3D scanning, digital drawing, photography, and photogrammetry. He supervises the Visual Documentation Lab at UA.<\/p>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Gr\u00e9gory Chaumet (co-PI)<\/h2>\n\t\t\t\t\t\t\t
Ing\u00e9nieur d\u2019\u00e9tudes, PLEMO 3D, Centre Andr\u00e9 Chastel, UMR 8150<\/div>\n\t\t\t\n\t\t\t\t\t\t\t
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Chaumet is a trained DPLG architect and holds a Ph.D. in Art History and Archaeology from the Faculty of Arts and Humanities at Sorbonne Universit\u00e9. Specializing in 2D and 3D computer graphics, he has been working as a research engineer for the 3D scanning and modeling mobile platform, PLEMO 3D<\/a>, since 2015. Since 2010, he has also been teaching urban history at the School of Engineering for the City of Paris in the Architecture department. He has published in a collective article in Notre-Dame de Paris, la science \u00e0 l\u2019\u0153uvre<\/i>, edited by Philippe Dillmann, Pascal Li\u00e9vaux, Aline Magnien, and Martine Regert (CNRS\u2013Le Cherche-Midi, 2022). His studies of La maison d\u2019Ourscamp have been published in Paris Gothique<\/i>, edited by Dany Sandron (Picard, 2020).<\/p>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Jeremiah Stager (co-PI)<\/h2>\n\t\t\t\t\t\t\t
Cultural Resources Manager, Office of Archeaological Research, The University of Alabama<\/div>\n\t\t\t\n\t\t\t\t\t\t\t
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Stager is an archaeologist who works to help preserve cultural resources through documentation and digital recreations of historic sites. He uses modeling software, photogrammetry, and narration to producing immersive documentary style videos and 3D tours. To date, Stager has completed 10 projects that include a 19th century railroad shop complex, the first capital of Alabama, and multiple early 20th century worker villages. He has also produced over 100 photogrammetry models of prehistoric and historic artifacts as well as a number of historic structures. <\/p>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Collborators<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Jennifer L. Roth-Burnette<\/h2>\n\t\t\t\t\t\t\t
Program Director, First-Year Compass Course, Office for General Education, The University of Alabama<\/div>\n\t\t\t\n\t\t\t\t\t\t\t
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Roth-Burnette is a musicologist who specializes in the plainchant and polyphony that circulated within and around the worshipping community of Notre Dame de Paris during the gothic era. Her contributions include a metadata approach to understanding extemporaneous melodic composition, published in Ars Antiqua, Music and Culture in Europe c. 1150-1330<\/i> (Brepols, 2020), and a related database housed at the Alabama Digital Humanities Center.<\/p>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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St\u00e9phanie Duch\u00eane<\/h2>\n\t\t\t\t\t\t\t
Mural Painting and Polychromy Division, Laboratoire de recherche des monuments historiques (LRMH)<\/div>\n\t\t\t\n\t\t\t\t\t\t\t
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Duch\u00eane is an engineer at the Laboratoire de Recherche des Monuments Historiques, specializing in wall paintings and polychromy. She has been in charge of studies and monitoring restoration projects since 2007. Her area of expertise includes medieval polychromy. Recent projects include a study prior to the restoration of the central portal of Notre-Dame Cathedral in Reims, a study of the ancient polychromy uncovered during the restoration of Notre-Dame Cathedral in Paris, a material study of the rood screens at Notre-Dame Cathedral in Chartres and Notre-Dame Cathedral in Paris, and the restoration of the portal at Saint Maurice Cathedral in Angers. She holds a Master's degree in Chemistry applied to heritage conservation and restoration from Ca' Foscari University in Venice. In 2021, she began a research project entitled, \"La polychromie des portails des cath\u00e9drales gothiques : apport des sciences des mat\u00e9riaux \u00e0 l'histoire des techniques artistiques,\" under the direction of L. Bellot-Gurlet Paris VI, P. Plagnieux, (Univ. Paris I Panth\u00e9on Sorbonne).<\/p>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Iliana Kasarska<\/h2>\n\t\t\t\t\t\t\t
Ma\u00eetre de conf\u00e9rences, l'Institut catholique de Paris (ICP) Rouen<\/div>\n\t\t\t\n\t\t\t\t\t\t\t
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Kasarska is a specialist in medieval iconography and the theological meaning of the gothic portals. She studies the long life of the Gothic portals, focusing on issues of re-employment of sculptures, perception over time, and memory. Kasarska also focuses on archaeological studies of the technical execution: carving, construction and polychromy. She is author of La sculpture de la fa\u00e7ade occidentale de cath\u00e9drale de Laon ; eschatologie et humanisme <\/i>(Picard, 2008) and editor of the collection Mise en \u0153uvre des portails gothiques \u2013 architecture et sculpture<\/i> (Picard, 2011).<\/p>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Markus Schlicht<\/h2>\n\t\t\t\t\t\t\t
Charg\u00e9 de recherche, UMR 5607 Ausonius, CNRS \/ Universit\u00e9 Bordeaux Montaigne<\/div>\n\t\t\t\n\t\t\t\t\t\t\t
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Schlicht is an art historian and research fellow at the French National Centre for Scientific Research. He has published numerous studies on the architecture, sculpture and polychromy of the Gothic period in France, in particular on the cathedrals of Rouen and Bordeaux. His latest book (in collaboration with Aur\u00e9lie Mounier and Maud Mulliez) focuses on the reconstruction and significance of medieval polychromy in English alabaster panels: The Colours of English Alabaster Panels: Medieval Polychromy, Production, and Perception <\/i>(Ausonius, 2021).<\/p>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Hamid Noroozi<\/h2>\n\t\t\t\t\t\t\t
Graduate Research Assistant, The University of Alabama<\/div>\n\t\t\t\n\t\t\t\t\t\t\t
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Noroozi is a visual artist working across digital and traditional media. He contributes to the Notre Dame in Color project as a 3D modeler and digital color artist. Using software such as Blender, ZBrush, Maya, and Adobe Substance 3D Painter, he refines and polishes digital 3D models of historical fragments, guiding them from the photogrammetry stage to clean, fully colorized reconstructions.\nDrawing on his background in traditional painting and drawing, he applies historically informed color based on scientific research, helping to recreate these fragments as they originally appeared at the time of their creation.<\/p>\n\t\t\t\t<\/div>\n\t\t\t\n\t\t\t\n\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Jennifer M. Feltman (PI) Associate Professor of Art History, The University of Alabama Feltman is a specialist in French gothic sculpture with research interests in the design, construction, and preservation of fa\u00e7ade sculptures. She is co-director of the Limestone Sculpture Provenance Project, a member of the Chantier scientific de Notre-Dame, and the team of researchers … <\/p>\n

Read more “Team”<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inspiro_hide_title":false,"footnotes":""},"class_list":["post-18","page","type-page","status-publish","hentry"],"featured_media_urls":[],"_links":{"self":[{"href":"https:\/\/adhc1.ua.edu\/notre_dame_in_color\/index.php?rest_route=\/wp\/v2\/pages\/18","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/adhc1.ua.edu\/notre_dame_in_color\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/adhc1.ua.edu\/notre_dame_in_color\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/adhc1.ua.edu\/notre_dame_in_color\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/adhc1.ua.edu\/notre_dame_in_color\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=18"}],"version-history":[{"count":104,"href":"https:\/\/adhc1.ua.edu\/notre_dame_in_color\/index.php?rest_route=\/wp\/v2\/pages\/18\/revisions"}],"predecessor-version":[{"id":805,"href":"https:\/\/adhc1.ua.edu\/notre_dame_in_color\/index.php?rest_route=\/wp\/v2\/pages\/18\/revisions\/805"}],"wp:attachment":[{"href":"https:\/\/adhc1.ua.edu\/notre_dame_in_color\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=18"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}